Exchange residency program: See Saw Seeds Effect; Moi Moi Konnichiwa between Arte ry and Japanese artists association C.A.P. during 2018-2019.
Residenssi on osa taiteilijavaihtohanketta See Saw Seeds Effect; Moi Moi Konnichiwa Arte ry:n ja Kobessa sijaitsevan C.A.P.-taiteilijayhdistyksen välillä vuosina 2018-2019.
Exchange residency program: “Moi Moi Konnichiwa” between Arte ry and C.A.P. during 2018-2019
Breaking and Entering is a set of musical works written and performed by Molly Joyce for voice, vintage toy organ, and electronics. With the organ and the music she composes for it, Joyce aims to engage and challenge her physically-impaired left hand, an act she hopes will allow for a true “breaking and entering” of her body to a realm beyond ability in and of itself.
Molly Joyce: Breaking and entering Breaking and Entering is a set of musical works written and performed by Molly Joyce for voice, vintage toy organ, and pre-recorded electronics. Purchased on eBay about six years ago, her love of the instrument comes not only from the unique sound and tuning it produces, but also due to its
Please join us for an open studio event with Titanik A.i.R. programme’s current residents TinTin Patrone and Tim Huys!
The piece ‘JUUSO’ is part of the performance called ‘SULO’ played with midified trombone and VR-glasses using the virtual space as an additional instrument.
Part of their work deals with the development of musical instruments, researching the relationship between musician and instrument, and questioning music rituals and conventions by self- experimentation or in a framework designed for audience participation. During their month-long residency, they try to advance their former electronic-analogous approaches of their work through experiments with current digital technology, whereby the analogue and the digital complement each other only on a point-by-point basis.
Ellery Royston is a composer and sound artist using natural data in multi-channel sound installation as a way of exploring ecological and social systems. Recently, she have created installations using live geomagnetic data, historical data about civilizations over time, weather data about tides, and transcriptions of Appalachian folk music. By collapsing these large systems into a single room, her work aims to create soundscapes that allow people to have an intimate experience while at the same time staying connected to the world around them. She also performs on harp and keyboard, and creates sound for theater and video.
Titanik will host an open studio with Canadian artist-in-residence, Denton Fredrickson. He will be available to reveal the process of his new work-in-progress, Fall with the Sound of Its Own Recording or: How I Came to Know Sideways Gravity.
Open Studio 24.5.2018 18-20 @ Titanik residency studio space.
Caught somewhere in-between folk and new media art, alienation and wonder, Denton Fredrickson’s work invites experiential and contemplative interactions with sound, objects, and architectural space. The seductive lure of both old and new wonders, fantastic inventions, and absurd theories are familiar territories for Fredrickson.
This open studio is intented to share where the artist is at at this point with the research she has been conducting during her stay at Titanik. During her residency at Titanik, she worked on a sound based project: Glossary – WWW³ (WORLD WIDE WEB / WILD WO.MEN WITCHES / WORLD WITHOUT WORK). In this segment of the cycle, she attempted to build the soundtrack of a spoken glossary of many terms and concept that are relative to the economics and feminist economics theoretical framework(s) of this research.