Marloes van Son builds systems, installations and instruments. The electromechanical objects that she develops, explore natural phenomena and everyday appliances. By repurposing ordinary objects, she aims to create unusual, yet familiar experiences. Many of her works start from a visual component, but sound is always an integral part of the eventual piece.
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Beatrice Peter Schuett (GER) 1.2.-8.2.2017
” Yes, my worldview is fragmented. But my need and will to categorize and order adds to my need to understand people. Accordingly, for me art is not a singular event, not a lonely effort, but it is a lot about working together, structuring, organizing and narrating. “
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Leah Beeferman (USA) 1.1.-31.1.2017
I take pictures, record, and collect material in landscapes that interest me: rocky, icy, or salty terrain in, typically, barren northern or desert places. These landscapes evidence earthly processes; they are manifestations of the physical systems and physical laws that determine the visible “real world” we live in. My visual work and sound work have similar concerns: to create picture planes or sonic spaces which shift between depth and flatness, confuse “solids” and “empty” space, juxtapose the natural and the digital, and hang in a suspended balance just on the line between stillness and motion.
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Antoine Bellini & Lou Masduraud (FR) 11.10.–30.11.2016
From popular way of behaving and everyday situations involving different cultural fields (economic, technologic, social, media) Lou Masduraud and Antoine Bellini compose heterogenous systems materializing flows, relations and engaged intensities. They practice sculpture, music, text and performance as main components to build situations.
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Oakley Tapola (US) 1.8.–30.9.2016
Oakley Tapola’s work deals with the personification of physical spaces. She is interested in the history and memory that is osmosed by public spaces due their virtual immobility. She captures site specific images and sounds in order to recreate the experience of the environment she is inhabiting at any given time. She is interested in how layers of time constitute all living things causing information to linger in the ether like transparent, membranous scrims on a stage.
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Kiyomi & Tetsuhiro Uozumi: Exploring the Narrative of Daily Life in Turku
Arte ry:n ylläpitämän Titanik A.i.R.-ohjelman heinäkuun vieraat, japanilaiset taiteilijat Kiyomi ja Tetsuhiro Uozumi ovat työskennelleet yhdessä vuodesta 2004. He ovat asuneet ja työskennelleet Berliinissä vuodesta 2007 lähtien. Pääasiassa työpari luo installaatioita, joissa valon muutokset synkronoituvat äänen kanssa. Heidän teoksensa etsivät yhteyttä vierailijan ja anonyymien tarinoiden kanssa.
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Kiyomi Uozumi & Tetsuhiro Uozumi (JPN) 4.–31.7.2016
4.–31.7.2016 Kiyomi Uozumi and Tetsuhiro Uozumi, who have been collaborating since 2004, have sought to use the medium of storytelling to comprehend and share fragile worlds. It is easy to use a language system to share the outline of a story, but sharing everything that it made you think or feel is difficult, because it
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Miriam Hamann: One minute of arc
Miriam Hamann (s. 1986) on itävaltalainen taiteilija, joka työskentelee parhaillaan Titanik A.i.R. residenssiohjelmassa. One minute of arc -näyttelyn teokset ovat tuloksia jokapäiväisten asioiden ja esineiden veistoksellisuuden läsnäolon tutkimisesta. Näyttelyvieraat voivat lähestyä interaktiivista installaatiota asettamalla korvansa vasten värähtelevää materiaalia. Avajaiset torstaina 19.5. klo 18–20, tervetuloa!
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Miriam Hamann (AT) 1.4.–31.5.2016
Bone conduction is a technology that allows you to hear a sound that is conducted directly to the inner ear through the bones. The bones are thus conducting vibrations to the inner ear bypassing the eardrum. Miriam Hamann lives and works in Vienna and Berlin. Her recent work focuses on installations which deal with space and an investigation into the sculptural presence of everyday objects.
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Curtis Tamm: Balancing the Stone
Curtis Tamm (s. 1987, USA) luo ympäristöjä joissa tilallistettu ääni ja kuva elävöittävät yhteisöllisten kokemusten aistillista epäjärjestystä, ja leikkisän kosmologian kautta kuvittaa aistinelintemme geologisen syntyperän. Nämä kokemukset murtavat ja uudelleen järjestelevät eläinten ja asioiden evoluutiollisen aikajanan, kaivaen esiin ihmisten, eläinten ja elottomien objektien välisen mahdottoman suhteen joka kuitenkin luo ympärillämme olevan maailman.
