15.–20.1. Félicia Atkinson
22.–27.1. Jessica Ekomane & Silje Nes
29.1.–3.2. Marja Ahti
5.–10.2. Kati Roover
12.–17.2. Antti Tolvi
-
-
Mikko Kuorinki: Coral | 9.11.-2.12.2018
Giorgio Agamben has suggested that while philosophy knows its object without possessing it, poetry possesses it without knowing it. More than merely celebrating the craft as a form of knowledge production—it is the hand we should be interested in rather than the eye—the philosopher posits the residual trace of absence at the center of his aesthetic theory; all the music that has not yet been written.
-
Yamashita, Ikehara, Urata: Moi Moi Konnichiwa | 16.-25.11.2018
“Since we arrived in Turku in early October, we have experienced various experiences and encounters. Everything we see, look, hear and listen, such as people, nature, culture, are fresh.”
Through their experiences of being in Turku, the artists are to produce works, referring a local culture and daily life in Turku. Their artworks and existence would draw people’s interest and will revise their perspective of Japanese culture.
We hope that it will bring fruitful communication between two different cultures in this exhibition.
By all members of the See Saw Seeds Effect; Moi Moi Konnichiwa -
Corinna Helenelund & Lukas Hoffmann: The Dough | 12.10.-4.11.2018
Corinna Helenelund ja Lukas Hoffmann ovat taiteilijoita, jotka työskentelevät yleensä rinnakkain: Corinna kuvanveiston, installaation ja lavastuksen parissa, Lukas yksin ja ryhmissä videon ja objektien parissa. Titanikin The Dough-näyttelyssä he ovat yhdistäneet työskentelynsä tutkivan työhuoneprosessin muotoon, etsien vaikutteita toisistaan, mutta samalla myös heidän väliinsä nousevasta tuntemattomasta.
~~~
Corinna Helenelund and Lukas Hoffmann are two artists usually working next to each other: Corinna with sculpture, installation and stage design, and Lukas with video, objects and in groups. In The Dough, shown at Titanik, they have mixed their practices in a searching studio process, trying to get influenced by each other but also by the unfamiliar that is emerging in between. -
Honkasalo-Niemi-Virtanen: Terminal Beach | 14.9.–7.10.2018
Terminal Beach on videoinstallaatio, joka pohjautuu J.G. Ballardin novelliin Terminal Beach (1964).
-
Tanja Kiiveri: ART IS A DOG | 17.8.–2.9.2018
Avajaiset Turun Taiteiden yönä, torstaina 16.8. klo 18-22
Keskustelu taidehistorioitsija Riikka Stewenin kanssa lauantaina 1.9. klo 14Taiteilija on paikalla galleriassa koiran kanssa.
Näyttelyssä myydään Art is a Dog -kasseja ja julisteita. -
Otto Byström & Ville Kallio: We Live in a Society | 20.7.–12.8.2018
1900-luvun verkkotietojenkäsittely on maailman kaunein kaapeli kahden paska-spagetti jäteastian välissä. Kaksi täysin erilaista jäteastiaa. Käy ilmi, että riittävän suurella paska-spagetti jäteastialla voit ruokkia maailman. Ja miksi ei kahta?
20th-century network computing is the world’s most beautiful wire, between two dumpsters of shit spaghetti. Two completely different dumpsters. It turns out that with a big enough dumpster of shit spaghetti, you can feed the world. And why not two?
-
Repose 21.6.-15.7.2018
Repose is a space and a situation where one is allowed to pause, take time to think, and to reorganise. During the exhibition Titanik is turned into a venue for various events where to take care of oneself and others, and to be, think and act together.
-
Henrik Heinonen: Sunt lacrimae rerum | 25.5.–17.6.2018
Ja hän katsoo merta. Auringon viime välähdykset häviävät pois. Sunt lacrimae rerum. Niinpä kai. Mikä muutenkaan on kyynel, paitsi vain hetkellinen veistos.
-
Andrey Bogush & Kristina Sedlerova: Which package would be good enough for you to love me | 27.4.–20.5.2018
Which package would be good enough for you to love me is the first set in 3-set game of an ongoing collaboration between Kristina Sedlerova and Andrey Bogush. Through the series of events and interventions artists will complete the space and placement of the works.
