Miriam Hamann (s. 1986) on itävaltalainen taiteilija, joka työskentelee parhaillaan Titanik A.i.R. residenssiohjelmassa. One minute of arc -näyttelyn teokset ovat tuloksia jokapäiväisten asioiden ja esineiden veistoksellisuuden läsnäolon tutkimisesta. Näyttelyvieraat voivat lähestyä interaktiivista installaatiota asettamalla korvansa vasten värähtelevää materiaalia. Avajaiset torstaina 19.5. klo 18–20, tervetuloa!
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Miriam Hamann (AT) 1.4.–31.5.2016
Bone conduction is a technology that allows you to hear a sound that is conducted directly to the inner ear through the bones. The bones are thus conducting vibrations to the inner ear bypassing the eardrum. Miriam Hamann lives and works in Vienna and Berlin. Her recent work focuses on installations which deal with space and an investigation into the sculptural presence of everyday objects.
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Curtis Tamm: Balancing the Stone
Curtis Tamm (s. 1987, USA) luo ympäristöjä joissa tilallistettu ääni ja kuva elävöittävät yhteisöllisten kokemusten aistillista epäjärjestystä, ja leikkisän kosmologian kautta kuvittaa aistinelintemme geologisen syntyperän. Nämä kokemukset murtavat ja uudelleen järjestelevät eläinten ja asioiden evoluutiollisen aikajanan, kaivaen esiin ihmisten, eläinten ja elottomien objektien välisen mahdottoman suhteen joka kuitenkin luo ympärillämme olevan maailman.
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Curtis Tamm (US) 1.2.–30.3.2016
Curtis Tamm (*1987 CA) is a site-specific, research based sound artist and filmmaker who reimagines the present-day conception of catastrophe and other confounding natural events. His exhibitions and performances proffer a cultural cosmology capable of accepting these occurrences. Tamm’s technically driven sound exhibitions and events of live-cinema create animate the perspective of a “people-to-come”.
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Adam Basanta: Louder than a beating heart
Louder than a beating heart is a collection of new sound works investigating amplification as both conceptual subject matter and primary production technique. Each work strives to complicate, in its own way, the manners in which amplification operates in the acoustic, social, political, and personal spheres of life.
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Adam Basanta (CAN), 1.9.-30.10.2015
Across disciplines, my work investigates listening as an active, participatory, multi-modal activity. By interrogating points of intersection between conceptual and sensorial, psychological and psychophysical, instantaneous and durational dimensions of aural experience, I aim to draw attention towards undiscovered facets of the listening experience.
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Lorah Pierre (UK) 1.-31.7.2015
Lorah’s process based practice comments on the complex continuum between biology, geology and technology.
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Luka Ivanovic (Serbia) 1.4.-31.5.2015
Luka Ivanovic aka Lukatoyboy, is a sound artist from Belgrade, Serbia. His current practice is based on participatory performances based on networks, sound and narrative, using walkie-talkies and site specific topics. Focused on the relation of chances and structures, he creates participatory works with suggested rules, questioning exclusivity and authority of an artist.
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Travers Nash (AU)
My Studio practice is an investigation into our contemporary relationship with the technological object. In particular, I seek to explore the possibilities of technology within the framework of the embodied sonic event; examining the phenomenologies associated with the interaction between sound, object and subjective viewer
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Jorge Boehringer – Fish Poems
This exhibition simultaneously compresses large distances and magnifies small things. It takes some experiences out of time and expands others into a continuous now. I am attempting to understand some aspects of my perception by replacing the perceived object with electronic simulacra, or by abstracting and modeling those perceived systems of events, and juxtaposing them into new configurations.
