history is so old and gross
wake me up when
wake me up when it really gets started
– Rebecca Tamás, Witch, 2019
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Masi Tiitta: La Mer | 17.‒20.6.2019
Esitykset / The performances:
Ma 17.6. klo 11.30‒13.30
Ke 19.6. klo 17‒19
To 20.6. klo 15‒17
🌊 Tervetuloa! / Welcome! 🌊 -
Elanne Tissa – Elatu Nessa | 6.‒9.6.2019
2-osainen esityksellinen installaatio torstaista sunnuntaihin. ⌣⌣::::::::::: ⌣⌣I to 6.6. klo 18 Elanne Tissa Avausesitys Verkostot kietoutuvat toisiinsa pehmeinä kudoksina. Ilon metsä ja kyynelten järvi. Nahkatakin rapina muistuttaa vesisadetta. Esitys hymiöiden värittämästä uneen heräämisestä ‒ valveille vaipumisesta sipsejä tai runoja ‒ sips poems la 8.6. klo 16‒18 Elatu Nessa unitapahtuma Unen ja unelmoinnin
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Vauva.fi: Lucia Leuci, MSL, Jaakko Pallasvuo, Anni Puolakka | 4.5.‒2.6.2019
Avajaiset perjantaina 3.5. klo 18‒20. Tervetuloa!
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Opening on Friday 3 May 6-8pm. Welcome! -
How to Life (Anna Jensen & Andrea Coyotzi Borja): And that’s how the cookie crumbles ‒ It’s a Precarious System | 9.‒14.4.
Asettaessamme odotuksia emme välttämättä halua hyväksyä rajojamme. Kukapa haluaisi? Omien rajojen hyväksyminen on tyytymistä. Tyytymisen sijaan haluamme jatkaa eteenpäin kohti mahdollista putoamista, ilman turvaverkkoa. Kaikki kokeilut eivät ole kivuttomia tai riskittömiä. How to Life -projekti opastaa ymmärtämään, kuinka epäonnistuminen on lopulta ainoa vaihtoehto.
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When setting our expectations, we might not be willing to accept our limitations. I mean, who would? Acceptance is only for the settlers, and we are forever moving towards the possibility of failing without a safety net. However, that doesn’t mean that every impact is painless and risk-free. How to Life will guide the audience to understand that eventually you can’t but fail. -
Milla Aska: Warmth on a chair | 15.3.‒7.4.2019
Kun istahtaa linja-auton lämpimälle penkille, sen vieras hehku on jotenkin epämiellyttävä. Montako pysäkinväliä kuluu, kunnes tunnen sen omakseni? Noustuani jätän sen seuraavalle. Nämä ovat mun ajatuksiani.
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When sitting on a bus seat with a foreign warmth to it, the feeling is somewhat unpleasant. How many bus stops must we pass until it becomes my own warmth. As I rise, I leave it for the next person. These are my thoughts. -
Oskari Ruuska & Harpa Dís Hákonardóttir: Balance Piece | 22.2.‒10.3.2019
“When an object has a logic on its own, it starts to talk of many other things. It’s not that it represents anything, but it represents its own reason to exist, in a way, as material – as clay, terra cotta, in relation with bricks, in relation with the construction, with pottery, with many things and the body.” – Gabriel Orozco
The “creation of man from clay” is a miraculous birth theme that recurs throughout world religions and mythologies. – Wikipedia
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Listening being | 15.1.–17.2.2019
15.–20.1. Félicia Atkinson
22.–27.1. Jessica Ekomane & Silje Nes
29.1.–3.2. Marja Ahti
5.–10.2. Kati Roover
12.–17.2. Antti Tolvi -
Mikko Kuorinki: Coral | 9.11.-2.12.2018
Giorgio Agamben has suggested that while philosophy knows its object without possessing it, poetry possesses it without knowing it. More than merely celebrating the craft as a form of knowledge production—it is the hand we should be interested in rather than the eye—the philosopher posits the residual trace of absence at the center of his aesthetic theory; all the music that has not yet been written.
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Yamashita, Ikehara, Urata: Moi Moi Konnichiwa | 16.-25.11.2018
“Since we arrived in Turku in early October, we have experienced various experiences and encounters. Everything we see, look, hear and listen, such as people, nature, culture, are fresh.”
Through their experiences of being in Turku, the artists are to produce works, referring a local culture and daily life in Turku. Their artworks and existence would draw people’s interest and will revise their perspective of Japanese culture.
We hope that it will bring fruitful communication between two different cultures in this exhibition.
By all members of the See Saw Seeds Effect; Moi Moi Konnichiwa
