Part of their work deals with the development of musical instruments, researching the relationship between musician and instrument, and questioning music rituals and conventions by self- experimentation or in a framework designed for audience participation. During their month-long residency, they try to advance their former electronic-analogous approaches of their work through experiments with current digital technology, whereby the analogue and the digital complement each other only on a point-by-point basis.

Ellery Royston is a composer and sound artist using natural data in multi-channel sound installation as a way of exploring ecological and social systems. Recently, she have created installations using live geomagnetic data, historical data about civilizations over time, weather data about tides, and transcriptions of Appalachian folk music. By collapsing these large systems into a single room, her work aims to create soundscapes that allow people to have an intimate experience while at the same time staying connected to the world around them. She also performs on harp and keyboard, and creates sound for theater and video.

Marie-Andrée Godin’s work focuses on the figure of the witch as a feminist figure and explores the concepts of a-hierarchy, acts of manufacture, holistic thinking and knowledge as a source of power.  She is now trying to see if magic, post-capitalism and diverse political forms or systems could be intertwined to help manifest the future.

During their stay at Titanik Gallery Evgenija Wassilew and Peter Strickmann create an open scene inside the gallery space where spoken texts, spatial explorations and sound-happenings develop over time and space.